Annunciation Greek (Orthodox) Church: Life in Two Worlds (2/3)

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For more pictures, CLICK HERE.

It’s a beautiful church, no question about it. Designed by Frank Lloyd Wright in 1956 and dedicated in 1961, the building is a departure from traditional orthodox architecture, yet retains the historic elements. The basic design is that of a greek cross inscribed by a circle.

I am a big fan of FLW, and of clean and simple space. The high of ugly and gaudy to me would be Rococo, so there was a lot that appealed to me in the church. I will say, though, that at a pretty basic level it doesn’t seem like the juxtaposition of the “Wright” elements with the iconography just doesn’t work. The contrast is too stark. If you’re going to have the richness of orthodox iconography, it seems very odd to me not to really embrace it. There were lots of elements that I would consider, uh, cute, but not really all that devotional. Like the ichthus pews, for example:

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While I’m on that topic, WHAT IS UP WITH THE CARPET AND BLUE PADDED PEWS? Bizarre.

Our tour guide was a very nice lady who grew up in the parish. Her father was on the committee to build the church, so she had a very good grasp of the space. She wasn’t quite sure what to make of confessional Lutherans. We’re not protestant, but we certainly aren’t orthodox, but the kids have a remarkable grasp of liturgical space and of the Scriptures. She told us the kids knew more that most of her sunday school students. At least we are ecumenical about it….

I did find that some of the stereotypes were held up. My Orthodox friends tell me that the Greeks are generally standoffish and not very friendly toward the rest of Orthodoxy. One of the kids asked about other Orthodox churches, and she did talk about how there’s only one Church, and that she can go commune at the Serbian, Bulgarian, Russian or Antiochene churches. Although the languages may be different, there is only one faith. Amen.

Then the odd thing happened. I asked her about the OCA (Orthodox Church of America), and whether there were any OCA churches in the area. She not only ignored my question, but then proceeded to ignore me for the rest of the tour. She would only talk with my colleague, Rev. Sean Smallwood from Lamb of God. I don’t know enough of the relationship between the OCA and Greek Church to know what’s behind it, but I found it peculiar.

She also gave a rather interesting take on the difference between the orthodox and the west. She pointed out that while they have crosses, there aren’t many and they aren’t really defining for them. Orthodoxy is about the resurrection of the dead and not about satisfaction for sin. The cross is about satisfaction for sin, and while that is an element of Orthodox doctrine, it is not the article on which the church stands or falls.

I’m slowly coming to the realization that I just don’t know enough to really speak intelligently about this matter. As a Western Christian, I’m all about sin and forgiveness. While I (think I) understand the restoration of our fallen nature, thesis, repristination, and some of the other themes in Orthodox doctrine and practice, I’m just not clear on how it concretely plays out in their piety. I just don’t know.

What I do know is that I’m pretty steeped in the Western doctrine of original sin and justification, but that our view especially of the Sacraments also makes theosis especially attractive.

I still don’t approve of padded pews and carpet in church, even if it as FLW building….

St. Josaphat: Life in the West (1/3)

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St. Josaphat is the Roman Basilica in Milwaukee, and is run by the Fransicans. It was built about a hundred years ago by Polish immigrants, so you will find lots of Polish in the building, and (not surprisingly), a great deal of affinity for the previous Pope, His Holiness John Paul II. Here is the photo set:

St. Josaphat pictures

Here are a few more pics:

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One of my friends and colleagues asked me which of these three buildings I liked the best. I’m not sure if “like” is the right word, but I was certainly the most comfortable in this space, out of the three. I understand it, for the most part. Although there are obviously elements that would make Lutherans nervous, for the most part there is a strong sense of a the holy, and of satisfaction for sin. There weren’t many Vatican II elements that were defining, which I appreciate. The pulpit was prominent, as was the font and the Altar. It was a beautiful, sacramental space. While some of the statuary can be distracting, for the most part it was worshipful, and I would be comfortable in the space.

From a practical point of view, it would also be easy to serve as presider or deacon in such a space. All of the elements are clear and obvious. There are no surprises or oddities to distract.

We didn’t have a formal tour here, although I’ve heard their tour before. They even had an organ! This is a welcome element, as man Roman spaces have lousy organs, or have jettisoned them for the twangs of the 60s and 70s. When we went in, there was a soloist practicing Gounod’s Ave Maria. How much more Roman can you get?

All in all, I like the space very much. I am a Western Christian, so even the elements which I don’t like (e.g. the overabundance of Marian statuary) is something I understand.

-LL

Roman, Greek, Coptic, a Tour

On May 20 our Academy took our annual steeplechase tour. Since we live so close to Milwaukee and Chicago, there are hundreds of churches (probably thousands) within an hour of us. Since our upper grade students are pretty interested in such things, we’ve gone to a lot of places over the years. Jewish, Muslim, B’Hai, various strands of Christianity, and the like.

This year we toured three churches:

In the next couple days I’m going to write about each of these churches, in terms of arcitecture as well as theology as it was presented to us. It was a very enjoyable day, and I think worth some mutual contemplation.

In the meantime, here’s a link to the pictures up on my Flickr account.

-LL

Too Many Sopranos

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My incredibly talented wife, Kathryn, was recently in a performance of the modern opera, Too Many Sopranos, by Edwin Penhorwood. Produced by the Milwaukee Opera Theatre, this hilarious opera tells the story of four sopranos who are ushered up to the heavenly gates, where St. Peter informs them that there is one opening in the heavenly chorus, because too many basses and tenors have been sent to hell. The only way they can get in is to A) Audition; B) Sing alto; or C) Go to hell and do a selfless act in order to save some of the men.

The opera is a riot. It basically plays on every cliche and choir joke you’ve ever heard in your life, and a lot of them that are new. My wife played Madame Pompous, the Wagnerian soprano. I laughed. I cried. I saw it twice.

Hopefully they will be performing it again in the near future. If they do, I will be sure to let you know!

-Lutheran Logomaniac

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Confirmation and First Communion

My friend, the Rev. David Petersen, just made an excellent post on first communion and confirmation. Check it out here.

I find that my views on life, the ministry and everything are generally echoed in Rev. Petersen’s words. This tension he describes is a real one. Every time I pass my 7 year old daughter (or the 4 year old for that matter) I feel guilty for not communing her. She knows the catechism. She’s confessed her sins and been absolved. There is no theological reason to withhold the Sacrament from her, and a whole lot of reasons to give it to her.

At the same time, there is real benefit at having a period of formal theological instruction when they are older. Tying the two together, however, is problematic.

I’ve changed my mind on this over the years. Now I agree with Petersen, again. I guess that’s good.

-Lutheran Logomaniac